The Gerrit Rietveld Academie is an international university of applied sciences for Fine Arts and Design in Amsterdam (NL). It is home to a close-knit community of international students from across the world. Students and teachers jointly create an environment for learning that brings together thinking and doing. This is where unexpected, innovative ideas are born. 

This frontpage is weekly curated by a different student, department or alumnus presenting work in progress or in its final phase. Book the front page.

 

 

 

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The Rietveld Academie is not a school. Schools expect the right answers; an art academy, by contrast, expects good questions, that stretch the limits of expectation and perception. We train students to master the tool of imagination, which makes them specialists in sensory intelligence: an essential asset in society.

All full-time students follow a general first year called Basicyear and choose a specialisation for in-depth study during the following three years: Architectural Design, designLAB, Fashion, Graphic Design, Jewellery - linking bodies, TXT (Textile), Ceramics, Fine Arts, The Large Glass, Beeld en Taal, Photography or VAV - moving image.

The Rietveld Academie also offers a part-time Bachelor's programme called DOGtime with two specialisations: Unstable Media and Expanded Painting. Besides this, we offer preparatory trajectories: the Preparatory Course and the Orientation Course and Rietveld op Proef. Master’s degree programmes are offered at the Sandberg Instituut.

During 06 September - 12 September Public Rietveld edits the front page.

Last week, Richard John Jones gave a workshop for year 2 students from the TXT (textile) department.

A repeating pattern is an image without a border, it has no centre, defies the rules of formal composition, can expand endlessly in any direction, and be figurative or abstract. Largely considered purely decorative, it can however be filled with narrative and representational forms, political struggle and ambiguity/opacity. What possibilities are there in representation when we are freed from the frame, from central characters, narrative linearity, beginnings and ends? What is the temporality of a repeating print design? What is its spaciality? What is its rhythm?

During the first session, students created stencils to create a large repeating pattern. In the textile workshop, a collective repeating pattern was composed, to create a huge fabric print. During the last session they looked together at what was created, analysing, giving and receiving feedback and considering what the collective textile print could become. The workshop was concluded with a lecture by Publik Universal Frxnd on his project 'The Machines'.

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