Vincent Schefz


German, 2001


Thesis: Mike

The process of creating a garment allows Vincent to draw attention to the assumptions of imagery. Garments become a method to question the authenticity of an image. He uses film as a tool by adapting loaded narratives and challenge their connotation and visual relation. when does the staged become more real than reality itself? And what is the role of adaptation or repetition in this distinction? With an emphasis on the relationship between clothing and their expected connotation the film restages the same dialogue by adapting costumes to different fictional scenes that echo reality.